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The Bachata I Teach Today...

10/12/2014

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 In the beginning, I humped the chata, put salsa in the chata and I even dipped the chata. But the art of dancing, for me, whether, it's salsa, tango, kizomba, semba, ballroom or bachata, is a continuing discovery.

Bachata Dancing, in particular, has been a passion of mine for 16 years now, and It's pretty exciting that every day, there's a new discovery, new concept, a new theory...new techniques.

In the name of research and self-discovery, I started embracing what some people call "Dominican Bachata, "Bachata Autentica" or to put it simply the way bachata is danced in the Dominican Republic, the birthplace of bachata. Thus, the bachata I teach, nowadays, is the structure of the original dance.

(For Reference: Read Bachata Structure Here - Click)

It's in the feeling of the music. I changed the structure of the way I dance because I feel it better. I move better, and most importantly, it make sense, at least for me. In other words, it's my cup of tea, my preference, and my choice.

Through Video Clips, let me share with you my genesis, devolution, my progression in dancing bachata.

In this video, you'd notice that I slided the chata (Electric Slide) with some humping. In the beginning, I really thought men and women were digging the hump to the chata. You'd also notice the upper body movements. This was my genesis.
In this second video, you'd notice that I dipped the chata, lifted the chata and other performance movements stuff.
In this third video, you'd notice the movement of the hips and the upper body movements. Of course the exaggerated "triple step" movements are evident (esp. the 2nd step where I push my hip). 
In this video, I began to embrace, how bachata is truly danced with some added performance movements. Some elements and structure are evident, yet, obviously, there's some improvements to be made. I am always my own critic, and looked for ways to better myself as a dancer, and as a dance teacher.

I began interviewing bachata musicians and dancers in the dance scene; in the USA and the Dominican Republic. They were always accommodating in sharing their experiences, their interpretations and even sharing a little bit of history.

When I traveled to DR, some great dancers and teachers were gracious enough to exchange some techniques  and concepts with me.
Nowadays, you would hardly see me do side-to-side steps, especially the electric slide version. One of the structure I adapted and noticed is that Dominicans hardly execute the side-to-side, but when they do, it is not electric slide (Traveling side to side). As I also explained in this video, the steps are much smaller and the importance of the hip movement especially on the 4th beat is critical. 

TO VIEW HOW BACHATA IS DANCED PART 1 - Pls click The Forgotten Move of Bachata ( I explained in details about Hip Movements)
In these videos, the upper body movements, obviously isn't my cup of tea anymore. You'd also notice one of the version of box steps which are pretty dominant in "Dominican" bachata given that, the dance is very much influenced by bolero. No side to side steps. In the second video, even when I was just goofing off with my wife, the structure is still there. The closed-position was also executed, a dance technique that not too many dancers use anymore.

There's still a lot things to learn in dancing the original bachata. But the most important thing in my opinion, is the very structure. In a dance, a structure is like a building. Once the foundation is laid, you cannot change it, unless you demolish the foundation. But any architect can design the building to their liking and skills.

There are many interpretations of bachata dancing nowadays. I suppose to each his own. Some dancer prefer to dance just one type, and others prefer to dance everything. I believe in being a multi-dimensional dancer.

The Bachata I teach is the Structure, the way it was danced in the beginning with techniques that are based from the structure. I happen to believe that once the structure is there, an artist can do whatever he wants. Just like an architect of a building, hecan add or tweak moves here and there, but the structure will still be evident.

There's is big debate going on Facebook forums nowadays. On one side of the aisle, Original Structure Bachateros criticize dancers that uses the term bachata when they teach - I happen to agree with them. Their criticism is the fact that the structure in their own bachata curriculum is missing, therefore, it shouldn't be called bachata. The other side of the aisle criticize the Structured Bachateros of supresssing the evolution of bachata dancing.

I think that both sides of the aisle can actually co-exist. They just need to work out and agree with the terminologies. But then, anyone can call their style of bachata any way they want it, after all, we live in a country where freedom of speech and freedom of religion are welcomed. It's just improper to term a dance that doesn't look like what it's suppose to be.

My personal views on this matter, coming from both sides of the aisle,  is that every individual has their own cup of tea. Each side of the aisle just need to keep presenting and promoting the best of their style can offer. I happen to love the original structure of bachata because I feel it.

For Reference: I have made two bachata instructional videos - The Secrets of "Dominican" Bachata.
There is going to be a 3rd video in the series, simply because, as I said before it's a continuing discovery and improvement.

You can find me teaching the original structure at Allegro Ballroom, 5855 Christie Ave, Emeryville, CA - EVERY WEDNESDAY from 730pm until 10pm. You can RSVP Here: https://www.facebook.com/events/1412266519035684/
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When Do I Stop Learning to Dance Bachata?

9/3/2014

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YOU DON'T...

Just like doctors, managers, salespeople,  athletes, and any other professionals, they never stop learning. Every year, they are required to get tested and re-certified. Athletes are constantly training and discovering more ways for self-improvement. In fact they pay top dollars for mental coaching.

In bachata, there is a danger of "hey, I don't need anymore lessons" due to the fact that it is such a simple dance with simple moves. However...

Bachata techniques and movements (authentic) are actually difficult to master if you don't have patience. Most students give up and are satisfied with the limited movements they've mastered.

The dance has a lot of short movements, meaning, most of the movements aren't  "full range of motion" type i.e., ballroom's figure 8 or electric slide. Mastering short movements takes time to master because they are "dynamic" as opposed to "static." In other words when it comes to muscles being used, bachateros uses Fast Twitch Muscles, particularly, the Type II Fibers.

Is it possible to use both Fast Twitch and and Slow Twitch muscles in bachata? Absolutely, do you ever notice students dancing to the fast Se Te Nota (Joe Veras) easily, yet, when they dance Vivire (Juan Luis Guerra) they have a hard time slowing down and still doing rapid movements? Well...this another topic of article isn't it?

But I digress...

HOW DOES A STUDENT KNOW IF THEY ARE GOOD ENOUGH FOR THE NEXT LEVEL - Intermediate, Advance or even Pro?

There are several ways, actually, and one of them isn't coming from the student. Just because you have taken several lessons, or workshops, doesn't mean you can now qualify yourself as "good enough."

Think about it.

Who determines if you are good enough in academic school? Who decides if you are good enough for a degree? Who decides if you are good enough for a Certification? Who decides if you are good enough to win a competition? Certainly, not you.

Most of the time, your teacher or your coach can tell you what you need to improve if you actually ask them. They will never tell you what they think of your dancing if you never ask. (I personally won't). But if you actually want to really improve, you have to ask but be prepared for constructive criticism which isn't meant to demean or hurt you.

In the old Kung Fu TV Series, remember David Carradine? After a couple of training sessions, he asked his teacher, "teacher, how long will it take for me to be good and when can I leave the Shaolin Temple?" "Snatch this grasshopper out of my hand and when you can do this, you can leave the temple, says master Po" And of course it took him years to be able to do that. It was his master's way of saying, "Ill tell you when you're ready."

Never ask your friends, your boyfriend, your girlfriend if you're good enough. 99% of the time, they don't want to offend you or hurt your feelings. There are a few teachers out there who also don't want to offend you for the fear of losing you as their student - stop learning from them. Learn from the ones that actually cares about the art of dancing and students of dancing.

You can also record yourself social dancing in a video...watch it afterwards and even show it to a person that is a dance expert. Please don't ask your colleagues. Most of the time, they don't want to offend you, or they actually have no clue "what's good or bad."

Nightclub Dance Classes are really not the place to get you better in dancing because the teachers won't be able to give you full attention. Dance Studio classes, although better than nightclub classes, will also not get you better in dancing unless, you constantly and repetitively attend the classes over and over again. You see, there is a difference between taking a class for an hour and training to dance for many hours.

Don't get me wrong, you can learn a move or certain moves in an hour just like I can actually memorize the math's multiplication table in a few hours. But memorizing a move won't make you better in social dancing; training and practicing the moves does.

There is a notion I'd like to debunk, "Practice makes perfect." NO!!! You're missing one word, "GOOD practice makes perfect." A qualified person has to be there to CORRECT you. He will constantly correct you until you bleed.

A good example with this is with Team Rodchata Members (my former dance group). They practiced 3 top 4 hours twice a week (which is not even enough) rehearsing just a few techniques. They were all tough on each other. They lost a lot of weight for hardcore dance training. If one person was lagging in perfecting a movement, one of them would help and paid extra attention with coaching. Team Rodchata dancers might not have been that popular for "performance" on stage, but they certainly built quite a good reputation when it came to social dancing in the Bay Area which is lacking amongst other dance team groups.

Learning from a class or workshop isn't good enough, good training makes you a good dancer.

The bottom line is bachata is a feeling. We all know that mastering your feelings takes time...


Catch Rodchata Dance Classes every Wednesday at Allegro Ballroom, 5855 Christie Ave, Emeryville, CA from 730pm to 930pm - Like His Dance Classes Page Here - https://www.facebook.com/RodchataBachataKizomba

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The 15 "No" of Bachata Clasica (Dance)

5/10/2014

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There 15 NO's of Clasical Bachata

There is no side-to-side steps (Electric Slide)
There’s no dipping
There’s no lifting
There’s no spinning
There’s no salsa shines
There’s no body rolls
There’s no grinding
There’s no humping
 There’s no Stomping
 There’s no yelling
 There’s no yoga
 There’s no hip hop
 There’s no grabbing
 No hand toss
 There’s no chachacha steps (surprised, eh?)

DON'T SHOOT ME, JUST GO TO DR...

www.rodchataclasses.com

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"She didn't want to dance with me."

5/2/2014

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When I was just starting to learn to dance, I attended all "beginning" classes through workshops and bootcamps. I've also invested in a lot of private lessons.

I remember watching the pros every time they social danced at a given dance social or club - I was inspired by their "cool" moves and smooth lead, following and styling. I told myself that I wanted to be like them, or at least, close to to their level.

Was I intimidated? Yes. Did I avoid them? No

There's a notion from certain groups I've been hearing for years. They either expressed their intimidation in disgust, or they expressed it with several excuses.

"Oh, don't go to that social, too many snobs."
"It's very hard to go to that exclusive club because no one likes to dance with me."
"I just want to go to a place where I can have fun and "feeling the music."
"I just want to be around people that's just like me, I love dancing with everyone."

So, here's my take with this notion...don't be a loser!

Imagine if you are still in junior high school and you get bullied on a daily basis, what are you going to do about it???

You have two choices. I suppose....
1) You can tell your parents to move you out of there and try finding a school that has no bullies (good luck on that one)
2) You can take self-defence courses, learn the art of confidence, etc. You can face the bully, fight for your right, and fight for all bullied victims.


But I digress...

I am simply tired of it, when certain dancers (mostly beginners that has been dancing for 500 yrs) complains and whines about "snobby dancers."


"I asked her to dance, and I felt so inadequate, and I felt like she wasn't enjoying it..."


SERIOUSLY? Can you imagine if you were actually having sex with her and she keeps yawning and rolling her eyes in a bad way....CAN YOU ACTUALLY BLAME HER???

"But, but, but, Sifu Rodchata, can't she be at least nice and understand that I ain't a pro?"


SIGH....

Being a "pro" has absolutely nothing to do with it!

Students learn to dance so that they can , guess what, DANCE!
They start as beginners, then intermediate, then advanced....then pros, if they want to.

LEARNING HOW TO DANCE PROPERLY IS THE KEY
...if you think you cannot keep up with him or with her, then you need to LEARN MORE and KEEP learning until you can satisfy her/him.

Do I have to go back with the sex analogy again????

CHALLENGE YOURSELF TO LEARN THE DANCE, TO LEARN THE ART OF FOLLOWING OR LEADING, NOT JUST LEARNING IT...MAKE IT YOUR VERY GOAL TO BE GOOD (You don't need to be the best. But if you want to, by all means, do it)


So stop making excuses. Go and learn to be a good dancer.

Bitching and complaining about isn't going to change a thing. It isn't going to change them because you can never change anyone...but you can change yourself
. Besides...

If you think about it, the so called "snobs" also want to have fun dancing. If they get to dance with a beginner that have been dancing for 20 yrs, yet they still get yanked and injured by untrained dancers - I'm sure you'd agree that that is unacceptable.

Same goes with followers,
you have to learn and continue honing followability - this is the key to being asked to dance often.

If you are satisfied where you are
, as a beginner (even though you have been dancing for 10,000 yrs), and just content taking Nightclub dance classes occasionally, THEN DON'T BE CRYING WHEN SHE ROLL HER EYES AND SAY "NO THANK YOU" when you ask her to dance for the 2nd time.


Dance Festivals and Congresses , such as SF Bachata Festival or Bay Area Dance Festival, are the best vehicle for anyone that want to be good at dancing because there are so many dance subjects (workshops) to choose from from beginning to advance levels.



Rodchata Teaches Bachata Every Wednesday 730pm at Allegro Ballroom in Emeryville, CA
- www.rodchataclasses.com
. Email: Rodney@Rodchata.com

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25 Tips for the Rookie Promoter

3/31/2014

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Dear Rodney,

I am from ____, ____. I am not sure if you remember me but I am that person that always bought you a shot of Stoli in WSC Social. I also took your workshops at Bachaturo Festival. The reason I am emailing you is because I want your advice.

I recently stumbled into the promotion business. I had my first event last month and people loved it! But really, I didn’t know was I was doing. Everyone here wants me to do a festival. My question is, what do I need to do if I continue doing this, and what are the things I should and should not be doing?
-


It’s all a matter of passion. Accidental promotion isn’t actually a good way to start. You have to treat it just like any other business.

It started as a hobby for me and later on became a business. (it’s still a hobby in the worse way, but don’t tell my wife, lol)

I have a feeling that you are going to do these anyway because I can tell that you have just seen the good side of it - you made a little bit of money and everyone is kissing up to you.


Here’s my Top 20 Tips.


1) Your first event, depending on its demand and saturation, will be sucessful - 80% of Grand Opening are usually a success.
2) It gets complicated and harder to do the 2nd event due to competitors or a territorial promoter sabotaging your event. Your original ideas will be copied. You might lose money for 2 yrs in a row.
3) Everyone will be nice to you especially the performers and teachers - don’t mistake their kindness as a token of friendships. As long as you are paying them, they will love you. They’re like cats, they will keep purring as long as you keep feeding them.
4) You have no real friends in this business. If you have one, test them. Don’t trust anyone.
5)When you lose money, you will make a few unhappy people when you can’t pay them on time. (Yes you are going to lose money-I don’t know of anyone who didn’t.)
6) Your competitors are always out to outdo you - this will make you more innovative. Don’t kill them.
7) Make sure your girlfriend or wife understand where you are coming from; vision, goals, dreams.
8) Never partner up with anyone - it will always end up in a bad way.
9) Make sure your overhead is always low. Always do your math. Project your profit and calculate your expenses.
 10) It’s important to set a budget. Don’t go over the budget.
 11) There will be many teachers and performers and music bands contacting you. Some will offer free services, and some will offer discounts of their so-called Star salaries. Don’t fall for it - always refer back to you goals and budget. There no such thing as a free meal. Flights, Hotel Rooms, or Food Allowances adds up!
 12) Don’t invite everyone (teachers). Inviting everyone means you will lose money.
 13) Treat the customers well. Provide great customer service. They are the life of your event. They are the ones that help you pay your bills. Listen to their feedback.
14) Up and coming artists will try to seek your help in promoting them, be nice to them, but decline the idea. They will change and will treat you like they never owed you anything.
15) Don’t hire artists that doesn’t social dance because your customer will stop attending.
16) Hire a staff that has the same passion as you do. They will help you for the love of the dance.
17) Invite your competitors, don’t ban them.
18) Don’t leave your day job.
19) Have your partners (if you have any) sign a contract of your partnerships.
20) Have a lawyer check and review your hotel contract before signing it.
21) When a competitor tries to help you, don’t mistake the kindness, he is studying you and looking for weaknesses.
22) Never talk bad about anyone on facebook messages. Just like a secret celebrity sex tape gets leaked out, so are FB messages.
23) Random people or even acquaintances can give you good or bad information. Always seek the other side of the story. You cannot trust a one-way information-always verify with several sources
24) Don’t hire artists that gets too drunk and acts inappropriately with others. It’s all about being professional. Your customer will thank you for it.
25) Know when to stop. At the end of the day, you loved ones are more important than your hobbies or fake friends in the dance community.

Important Tip about Business Partrners:
- The reason I mentioned signing a contract is because 99% of the time, two people usually have different ideas, visions and agendas. Anyways, good luck...

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The Rodchata Bachata Training Program (Offered for Private and Semi-Private Lessons Only)

9/13/2013

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Bachata Training Program or any other kinds of dance training programs are very different from a regular dance class (Studio), dance lesson in a nightclub or a dance workshop from a congress event.

While a regular weekly dance class or lesson in a studio, or a club emphasizes dance moves rehearsed by a teacher an hour prior to teaching them, training programs, such as offered by Rodchata, focuses on the dance structure (The way Dominicans dances it in DR), fundamentals from beginner to advance.

The training program is a proven system that emphasizes a step by step guide in creating and guiding a true bachata dancer.


The Six Training Levels of Bachata Rodchata System

Level 1 - Foundational Footwork and Structure

Level 2 - Foundational Partnering and Structure

Structure is the cornerstone of bachata dance. A student must be grounded with all the fundamental techniques before he/she can move up to Level 3.

Level 3 - Fundamentals of Partner Connection - Leading and Following (Postures, Attitude, Musicality, Hand Movements)

Level 4 - Intermediate Footwork (Syncopations)
Focuses on more advanced syncopations that is either individual or complimentary (partners) with hand and foot coordination

 Level 5 - Advance Footwork, Partnering and Advance Timing (Breaking on2 or on3)

Level 6 - Fusion and Innovation
 How to incorporate other moves and techniques from other dance disciplines (Salsa, Merengue, Tango, Kizomba, etc) without demolishing the original structure of bachata

The Rodchata Bachata Training Program offers a comprehensive step-by-step course for any students desiring to dance bachata socially or teach it.

Rodchata teaches Bachata training class every Wednesday at the Allegro Ballroom (www.allegroballroom.com - 730pm)

Contact:
Phone (415-577-0212)
Email (Rodney@Rodchata.com)


FAQ

Q: What if I am already an advance dancer, do I have to take Level 1 instead of jumping to Level 4?

A: You will need to start on Level 1 first. The teacher will decide if you are ready to move up or skip certain levels of the training program

Q: How much are the rates, do you charge hourly?
A: No, I don't charge hourly. Depending on your dance skill and familiarity of the dance structure, you will go through six training sessions or more. And you will be charged for the whole training sessions in advanced.

Q: What is the difference between other bachata "styles" than the one you are offering?
A: It's very simple, this training program focuses on original bachata structure, the way the Dominicans dance it. All you need to do is look at a person dancing the Dominican Way versus non-Dominican Way, the difference is like night and day.

Q: Where can you teach?
A: Anywhere. I travel a lot. If I happen to be in your city, email me. Or if you happen to live in the Bay Area, Sacramento, or any driveable locations, as long as it's planned in advance, I'm there.


Rodney Rodchata's Bio
Rodney Rodchata Aquino is an Afro-Latin Dance instructor, promoter and lecturer in the world. He was the first man in history to ever organize the very 1st international bachata festival in USA (Reno Bachata Festival and SF Bachata Festival), and co-organized 2nd Lithuanian Bachata Festival, 1st Dominican Republic Bachata Festival,  Hawaii Bachata Festival, Flirt Seattle Dance Festival , SF Kizomba Zouk Festival, Boise Afro-Latin Festival and is involved with over 15 dance festivals all over the world.

Responsible for revolutionizing bachata dance in USA, RODCHATA, as bachateros intimately calls him, has been in the Latin Dance scene for over 18 years and is considered the foremost authority in the bachata dance, both Dominican and Modern styles. He has sold his DVD line up, a 5-volume of dance instructional DVDs of bachata, salsa and merengue, to over 60 countries, and just produced  new DVDs; The Secrets of Dominican Bachata - How Bachata is Danced.

A certified dance instructor, Rodchata's solid dance background includes Latin International Ballroom, Kizomba, salsa (on1, on2 mambo, and Cuban son), chachacha, merengue and bachata. He had been studying the bachata culture by visiting the Dominican Republic, and eventually getting involved in starting the 1st bachata festival there. He has since revolutionized bachata dancing in USA and the world.


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The Original Structure of Bachata Dance, A Rodchata Article

8/10/2013

6 Comments

 
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How does bachata look like?
How is it danced?

If you are in the bachata dance world, you’d notice that there has been numerous discussions and debates about the root and structure of bachata dancing. Some say that Bachata is a feeling; a dance party; a simple dance that’s easier than salsa, but they never truly defined bachata's structure in a specific manner.

It has been 6 years since the first bachata festival in the world was celebrated in Sydney, Australia, followed by the first bachata festival in the Reno (USA) in 2009, yet, to this day, you cannot find concrete and specific descriptions on what bachata dance structure is.

Bachata is a style of partner dance that originated in the Dominican Republic inlfuenced by Bolero, Son and Merengue. It is danced widely all over the world but not identically.

The basics to the dance are three-steps with hip motions, followed by a half-second pause with a step or a tap (4th beat). The knees should be slightly bent so the dancer can allow the hips to move freely.

During a dance, the leader can decide whether to dance in open (1 to 2 feet apart) or closed position (no space between). Dance moves, or step variety, during dancing always depends on the music (such as urban, techno or tradicional), setting, mood, and interpretation. Unlike salsa, Bachata dance does not usually include turn or spin patterns but they are used more and more as the dance evolves and fusionized. The leading is done just like in most other partner dances, with a “push/pull” or “swing” hand and arm communication. Hand and arm communication is better conveyed when the movements are applied by the hips and footwork.

The way they dance in Dominican Republic is a basic dance sequence in a full 8 (4, technically, keeping music structure into account) count moving within a square or small circle. Dancers in Europe and USA later began developing a more simple movement and added dance elements from other dances as well, and somewhat changing the structure. The basic is also in a full 8 count, but with a side-to-side motion (which isn’t part of the original bachata).

The Original Structure of Bachata Dance

Front Steps
A step that begins with a tap in a forward motion. (4 steps)

Side Steps
A step that begins with a tap in a sideward motion. (4 steps)

Back Steps
A step that begins with a tap in a backward motion. (4 steps)
Note: These steps are not traveling steps.

Forward/Backward Steps
Steps that starts with a left foot by the leader in linear direction

Double Steps
The double steps occurs on the fourth beat with a half-second pause followed by a step and quick step from the other foot. (it’s not a chachacha beat or triple steps)

Box Steps
A step that begins with the left foot to the side, right foot forward, left foot forward with the fourth beat being a tap with the right foot completing “the box”

Stationary Steps
A unique move on the spot without moving to any directions yet being performed with 4 steps.

Arm Swing
Moves that resembles hand waving with a swing causing the leader sometimes to initiate tension of the arms (push/pull or in/out)

Closed Position
A partnering position creating no space between partners

Open Position
A partnering position creating a small or big space between partners during a dance

Two Types of an Open Position
- an open embrace (leader’s right hand on the follower’s shoulder blade or hip and left hand holding follower’s right hand)
- Leader’s holding both hands of the follower (upward position or lower position)

180 Degree Turn
A half circular turning move for a couple

360 Degree Turn
A full circular turning move for a couple

Hipxecutions (Hip Movements)
-Explanations
Hip movements with no pauses matching 4 beats of the music
Hip movements that pauses on the 4th beat
Rapid Hip movements that matches a rapid rhythm of the guitar (mambo)

Beats
3/4 (no tapping the foot on the 4th beat - Bolero)
4/4 (w/ tapping on the 4th Beat)

The Count Structure
1,2,3,4,5,6,7,8 (Standard Counting)
1&2&3&4 (Delayed Count)
1,2,3,4 and 5, 6,7,8 and 1 (Counting w/ Double Steps)

Structure and Branches of the Structure are illustrated on the photo attached to this article above.

As you can see the photo, a dance structure is like a building, and it’s something made up of a number of parts that are held or put together in a particular way; the way in which parts are arranged or put together to form a whole. In other words, if you were to change the “original structure” of the building, you’d have to demolish it and pretty much build a new one.

This explains why some dancers often say, “that isn’t bachata” or “that doesn’t look like bachata”

Moves and New moves should be based from the structure.

I’ll end this article with a few notables...

There is no side to side steps (we often call it Electric Slide) in the tradicional or original bachata

- There are no spins
- There are no dips or lifts
- There are no patterns
- Hipxecution matches the bass, guitar, or the bongo rhythm of the music
- Since most Dominicans in DR starts the first step with a tap, with either their left or right foot, they therefore break their first step on2 or on3.

The Modern or Urban bachata type of music is danced differently due to the different music composition, yet the structure of the music is still evident (Bass, Bongo and Rhythm Guitar)

IF YOU LIKE THIS ARTICLE, LIKE IT and SHARE IT

For More Info, Videos, Articles, "LIKE" Rodney Rodchgata Aquino's HOW BACHATA IS DANCED Facebook Page here - www.Facebook.com/BachataDancing

UPCOMING DVD" The Secrets of Bachata for Advance Dancers: How Movements Are Structured

Notable Video Clips Below...

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The Question is...where is the technique coming from?

12/6/2012

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Recently, a colleague (dance teacher), who happened to be well known in his teaching methodology, shared his frustrations with me about dancer's weak foundation during our 3-hour private lesson.

"It frustrates me that a lot of intructors doesn't teach the right way." "Their students are all over the place without a clue dancing."

We got into a deep technical discussion and on how careful a student must choose a dance teacher.

I've known this individual for many years as a popular dance teacher, and I was fortunate enough to have shared my bachata expertise with him.

"I don't want you to teach me fancy moves or patterns...I want you to teach me real authentic bachata concepts, and I'll take care of the rest."

So for one hour, I shared with him the way the "side to side" steps had been misrepresented for many years - where the side-to-side steps actually came from...and why the Dominicans don't really do such technique.

And for the 2nd hour, I've shared on why "bachata dominican" STATIONARY STEPS is the first and foremost main core for the entire dance, and why all movements should be coming from tat one technique alone; the very foundation of bachata steps.

After 3 hours with one break, he will never take any private lessons with me again - No need, he learned the core movement. Furthermore, he learned the "what, why, when where and how" of the core movements.

The trouble with so-called dance teachers nowadays are their inability to convey a philosophy that the Basic Fundamental Moves are actually the advanced moves.

A short while ago, I got an email from a teacher overseas expressing to me a similar frustrations...I responded by saying, "It is unfortunate that the majority of teachers nowadays aren't adhering to such principles. My impression is that they were never trained the right way in the first place. And maybe, the "money making scheme" overcame the artist and the art. And of course, the weak foundation had been more evident than ever in the dance scene nowadays...this is why I started campaigning "How Bachata is Danced" Series, and re-preaching looking at Fundamentals in an advanced scientific manner."

"Before I learned the art, a punch was just a punch, and a kick, just a kick.After I learned the art, a punch was no longer a punch, a kick, no longer a kick.Now that I understand the art, a punch is just a punch and a kick is just a kick." - Bruce Lee



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The Salsa Performance with the So-Called "Walk"

4/17/2012

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The "Walk"  is just ridiculous to look at amongst salsa dancers lately!
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I have been noticing that the Bay Area Salsa performers are getting quite friendly with "the walk" entering a stage. My aim in this article is to critique "their walk" and hopefully they'd take this criticism as constructive.What is "the walk" and where did it come from?

The walk is just that, a walk. But it is different from the normal walk everyone does going about their own business everyday, everywhere. "The walk' exudes confidence. It gets attention. It could be included in an introduction or at the end of a routine.

Where does "the walk" come from?

It is my belief that it came from the ballroom dance, to be specific, ballroom standard (Foxtrot, Waltz, Tango and Quickstep). The Latin Ballroom then later adopted it (Paso doble, jive, rumba, samba & cha-cha). Culturally, Europeans practice such "walk" in their lavish parties and events (you can see the walk most of the English movies such as Beethoven, Casanova, etc).

Maybe it's just me, but I have never seen "the walk" adopted by salsa performers 'till less than two years ago. In fact, I don't think East Coast salsa performers practice such walk. Not even Los Angeles. I have only noticed this from Bay Area performers. With that in mind, I commend them for being creative. But here comes the critique...

"The walk" falls short. It looks funny and annoying at the same time. There's a difference between confidence and arrogance. To be honest, it doesn't even look arrogant. If you have ever seen a geek trying to be a playa, you'd instantly notice that his gestures, actions and even words just don't fit him - this is how I see some of the performers when they do "the walk."  I am not saying everyone does that type of walk, but I think that the dance directors should at least pay attention to their dancers and critique them if need be.

What is the proper walk?

The answer depends on what theme is in their routine. Is it an elegant routine? Walk elegantly. If you don't know how to walk elegantly,  watch movies, search the web and study everything about being elegant. If your routine is sluttish, it's the same thing, do a good amount of research.

In Ballroom, we train to develop the proper posture e.g., posture of our faces, shoulders and entire body. If you ever watch ballroom performers, you'd notice that their chin is not higher than the ceiling. There's a big difference between being snobby and confident.

A year ago, I was talking to several Swing instructors after teaching bachata at the Chico Dance Sensation. In fact, I remember Felipe was present as well. We got into discussing "stepping out of the box" meaning being creative and innovating a dance. It was a roundtable of discussion to the point that we even went back to the history of dancing. We all agreed that the essence of any original dance shouldn't be phased out or "throw out" altogether but that it should be respected, acknowledge and improved upon. We finished such discussion as very educational and  Sarah Vann Drake, a respected Swing performer and teacher, said it so brilliantly, "there's a difference between getting out of the box and stepping out of the box. When we step out of the box, it basically means, one of our foot is out of the box while the other foot never left the box."

Salsa is a street and social dance. Yes it has evolved and we owe a great deal to many dance innovators out there, but let's not forget where it came from and what it was all about. A street dance is never snobby or arrogant. It's non-intimidating and fun.


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When Basics are not taught properly...

4/14/2012

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Part of the enjoyment of dancing salsa, bachata and just about every partner dance style, is the ability to execute a proper and effective basic movement via leading or following...

yet...

unfortunately...

I watch in amazement everytime I see a teacher teach basic moves, "Ok, watch what I do...ok, now do it", without emphasizing and explaining in details - the essentials...

They start a lesson by performing the basic steps...

forward, backward, side to side...

What they missed in explaining?

- the ball (and toes) of the foot's placements

- the dynamics of the steps

- the timing of the steps

- the flexing of the leg muscles

- not to mention the bending of the knees

Do they even know why the counting is 1,2,3...5,6,7 with missing 4 and 8 in salsa?

Or why the counting is 1,2,3,4 and 5,6,7 and 8 and 1 in bachata?

Beginning students had been taking classes from Maestro Z, with this partner Suzy Q, for 3 years now...but since Z never really explained and broke down the details I enumerated above, the students can't performed the basic steps properly. Some skip a step, another is out of timing. How about her? She does her basic forward backward steps with "wooden legs", and she looks like she has broken hips!

Yet these students had been learning and accumulating 1 million fancy moves taught by Maestro Z and Suzy Q...

When Z's students go to the clubs or any dance socials, people they danced with try to tolerate them. And as a result, people they dance with get injured or worse, they get elbowed in the face or bruise their ankles and feet from getting stepped on due to improper basic steps...

It's not the student's fault. Maestro Z and Suzy Q have a communist dance studio - no other teachers can teach. Students may not defect to other competing dance schools or else they will suffer severe punishment by getting banned and disowned by Maestro Z's dance community.

When Teachers such as Z and Q fail to teach proper dance techniques, it's not because they didn't want to, or they were lazy to break down techniques, it's because that is how they were *trained when they were just beginners, or worse, they never took serious dance training before from a teacher that emphasizes good dance foundation before even teaching fancy moves and a gazillion patterns and dips.

There is the notion of "I only dance for fun". Such notion is partly true, but the fact of the matter is, not everyone is having fun in dancing especially when they're dancing with you.

Another problem is with the students being impatient of mastering the basics. The only way you can master a technique is by constantly practicing it repetitively until you can no longer...

“I fear not the man who has practiced 10,000 kicks once, but I fear the man who has practiced one kick 10,000 times.” - Bruce Lee

*There is a difference between dance training and dance classes. Dance training develops dancers while classes teaches students tp dance. It is then up to the students to improve by perfecting what they've learned.


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    Rodney Aquino

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